Getting the Shot: Everything You Need to Know About Action Cameras

Here’s the next installment for our multi-part series on PWC race photography. This time we’re diving into action cameras — what they are, how they vary, what to look for (especially from a racing vs cruising perspective), and the add-ons and features that can elevate your game. Think of this as a guide to putting the right lens on your watercraft world.

WHAT QUALIFIES AS AN ACTION CAMERA?

Action cameras are compact, rugged video devices designed to capture fast-moving activity from the rider’s viewpoint (or mounted vantage). These are made for movement, splash, wind, vibration, and in our case — watercraft (waves, spray, sun glare, you name it).

Some quick defining traits:

  • Wide field of view: To capture the scene around you rather than just a narrow slice.

  • High frame-rates & resolution: To capture smooth motion, capture a crash or splash in detail, or produce slow-motion replays. For example, the GoPro HERO13 Black supports 5.3K resolution.

  • Image stabilization: Because on a ski your mount is bouncing, spray is hitting it, handlebars shaking — you want footage you can watch, not make you seasick. As one review noted, the best cams deliver “sharp, stabilized footage in all conditions.”  

  • Water / splash proofing + rugged mount capability: For PWC use, you want something built to handle water, maybe submersion, salt or fresh, and fixed securely so you don’t lose the camera (or the shot).

  • Mounting flexibility: Helmet mount, chest mount, stern facing mount, handlebar mount, suction cups — all of these have their advantages.

  • Action-ready features: Voice control, high-speed burst, time-lapse, 360° capture (in some models) for creative angles.

In short: action cameras are built to capture what happens while you’re moving.

DIFFERENT NEEDS, DIFFERENT CAMERAS 

Not all action cameras are created equal — and for our sport (jets, waves, speed) the type you pick will influence the footage you get. Here are the major categories:

1. Standard POV (Point-of-View) action cameras

These are what most people think of: a relatively rugged box-camera with a wide lens, you mount it on your helmet, chest, ski handle or stern. Example: GoPro HERO-series, DJI Osmo Action-series.
Strengths: Direct POV, easy to frame, many mounts and accessories available, proven in the field.
Weaknesses: Fixed field of view (unless you change lens), you fix the angle at mount time, might miss part of the action if you’re oriented weird.

2. 360° / “shoot-first, choose-angle-later” cameras

These capture spherical (or near-spherical) video so in post-production you can choose the framing. Example: Insta360 X4.
Strengths: Flexibility. On a PWC you might not know ahead of time where the best angle will be (front, side, behind). A 360 cam gives you more freedom.
Weaknesses: Higher cost / higher processing demands. Also you’ll spend more time editing (choosing angle) rather than just hitting record and go.

3. Mini / wearable / specialized cams

These include ultra-small cameras you can magnet-mount, clip, submerge easily, etc. Example: Insta360 GO 3S.
Strengths: Very light, less obtrusive, can go in odd mounting spots (helmet brim, under bow, behind seat).
Weaknesses: Often lower battery life or fewer features (less resolution, fewer frame-rates), may not handle heavy water use as well, may lack ruggedness.

4. Budget/basic action cams

If you’re just capturing for fun, or as a secondary camera, you might opt for a lower cost model (e.g., entry-level waterproof 4K). Example: some $50-100 units. (e.g., Paddsun 4K Action Camera)
Strengths: Affordable, decent for casual use.
Weaknesses: May lack stabilization, high frame-rates, long battery life, rugged mounting ecosystems, or consistent water-proofing.

IS AN ACTION CAMERA RIGHT FOR YOU?

When you’re picking an action camera for PWC use (especially racing), the “good enough” may not cut it. Here are key criteria — and how priorities shift between a racer vs a cruiser.

Key criteria to evaluate

  • Resolution & Frame Rate: For racing you want the ability to capture fast movement (high speed, splash, wake). Higher frame rates (e.g., 60fps, 120fps) are useful for slow-motion or reviewing split-second events. Reviewers say this is a major differentiator.

  • Stabilization: On a PWC you’ll have vibration, spray, rough water — image stabilization is critical. Good models will use 6-axis or advanced electronic/optical stabilization.

  • Waterproofing / Ruggedness / Mounting: Racing means being wet, being near water spray, possibly submersion. You need confident waterproofing, strong mounting options (and possibly safety tethering).

  • Battery Life / Swappability: On a long race day or photo session you don’t want your camera dying mid-moto. Also changing mounts, swapping batteries mid day is helpful.

  • Lens/Field of View Options: For racing you may want ultra-wide lenses to capture your ski, the wake, the competitors, the jump, etc. For cruising you might care more about scenic environment.

  • Accessory Ecosystem: Does it mount well on PWC? Are there suction cups, clamp mounts, helmet mounts, gimbals, floatation mounts (in case it goes overboard)? For racers, quick-release mounts, helmet mounts, behind-seat mounts, throw-overboard safety may be important.

  • Ease of Use / Quick Access: On the water you want to be able to start recording, stop, switch modes, without fumbling. If you’re racing you may not have the time to fiddle.

  • Editing & Workflow: For editing after the fact you might care about 4K resolution, color grading, ability to go to 1080p slow-motion, or use 360 footage for reframe. If you’re just cruising and uploading casual clips, maybe you don’t need everything.

  • Price vs Value: High-end cams are expensive. For cruisers on a budget, a mid-range may suffice.

RACER Vs CRUISER: DIFFERENT PRIORITIES

Racer

  • Needs ultra-reliable mounting and waterproofing — cannot risk the camera vibrating loose or flooding during a heat.
  • More emphasis on stabilization, high frame-rate (for slow-motion replays of starts, wakes, buoy turns).
  • Wider field of view to capture the ski, other competitors, and the water around you.
  • Maybe less “scenic zoom” and more “capture the action from my ski”.
  • Quick-change mounts (helmet, ski rear, chase boat), battery swaps between heats, and possibility to tether the camera (float, line).
  • Might prefer standard POV or 360 depending on how many angles you want; but reliability is first.

Cruiser / Recreational User

  • Might care more about scenic footage, the backdrop, maybe capturing rides with friends or family.
  • Might accept slightly less stabilization, or lower frame-rates, or fewer accessories, in favor of price.
  • Might use suction-cup mounts on the bow for scenic shots rather than helmet-mounted.
  • Might prioritize ease of use and quick sharing rather than ultra-professional footage.
  • Might go for a lighter, simpler action cam rather than a full pro setup.

In other words: If you’re racing, think durability and high performance along with a flexible mount system. If you’re cruising, think ease of use, lens and filter options, and budget.

SPECIAL FEATURES & ADD-ONS THAT MATTER

Beyond the core specs, there are many special features and accessories that can make a big difference for PWC photography. Some you’ll absolutely want; others are nice-to-have. Here’s a breakdown:

Special Features

  • High-Frame-Rate / Slow-Motion: Capturing wakes, sprays, jumps, buoy maneuvers — slow motion helps you relive or analyze the action. Example: GoPro shooting 400fps at 720p to capture bubbles in slow-mo.

  • Lens Mods / Field of View Adjustments: Some cams allow detachable lenses (e.g., ultra-wide, macro) or have variant angles. Example: GoPro Hero13 Black lens mods discussed in review.

  • 360° Capture / Reframing: As mentioned, 360-capture cameras allow you to pick your angle after the ride — useful when you’re moving fast and may miss the “right” orientation.

  • Safety Features for Mounting: For instance, floatation mounts (so if the cam goes overboard it floats), tethers, safety lines (especially helpful on water). Evidence from forums:

  • Water / Dive or Submersion Rating: Especially relevant for unstable craft — if you wipe out or get sprayed heavily, your cam needs to survive. Example: DJI Osmo Action rated waterproof to 18m in one review.

  • Mount Ecosystem (and quick-release systems): For racers switching mounts between heats, or photographers mounting on different positions. Some cams have standardized mounts (GoPro ecosystem) and others are proprietary.

  • Connectivity & Workflow Features: WiFi/Bluetooth to mobile device for previewing and control; cloud upload; app editing; voice control (hands-free start/stop) — helpful when you’re on the water and can’t fuss with the camera.

  • Battery & Memory: Swappable batteries, extended battery options, high-capacity memory cards, built-in memory.

  • Low Light / HDR / Stabilization Advances: For evening shoots, or shooting into the sun/glare off water, you’ll want good dynamic range (HDR), waterproofing for splash, and excellent stabilization. TechRadar notes that reviewers look at these when testing action cams.

Add-Ons & Mounting Accessories

  • Helmet Mounts: For POV from the rider’s head-level.

  • Chest Mounts / Shoulder Mounts: More stable than helmet in some cases, captures hands/controls plus ski front.

  • Handlebar / Ski-bow Mounts: For front-facing footage of the ride ahead (might capture spray, wakes).

  • Suction-Cup Mounts / Clamp Mounts: For mounting on hull, rear platform, or chase boat. BUT ensure strong suction/tether — watercraft vibration and spray are real hazards.

  • Floating Hand Grip / “The Handler”: Especially on water crafts: if the camera goes into the water, a floating grip makes retrieval easier. Many go-pros include floating accessories.

  • Safety Tethers / Leashes: Especially on water; you don’t want the camera lost overboard.

  • External Microphone / Waterproof Audio Accessories: For capturing sound (engine, spray, water ambience) you might want a mic (if the camera supports it) or a good built-in mic with splash guard.

  • Protective Housing or Lens Covers: Especially for salt, spray, UV exposure.

  • Spare Batteries & Memory Cards: Switching mid-session, or if you want long runs or high-resolution high-fps modes (which fill memory fast).

  • ND Filters / Polarizing Filters: For bright sunlight off the water, reducing glare and controlling shutter speed. One review recommends ND filters for GoPro use in bright outdoor action.

  • Editing Software / Apps: Post-production can enhance your footage (slow-mo, color grading, reframing 360 footage). For 360 cams especially, you’ll want good app support.

RECOMMENDATIONS FOR PWC SHOOTING 

  1. If you’re serious about capturing racing — go for a mid-to-high end action camera with good stabilization, high frame-rate, strong mountings, and water-ready durability – something like the GoPro HERO13 Black or Insta360 X4 would be strong choices.

  2. Mounting is just as important as the camera itself — ensure you have the right mount for your ski (helmet, bow, stern) and a safety tether/float plan in case of water contact.

  3. If you’re more casual (cruising, scenic rides, family rides) you could get by with a less expensive cam, lobby for ease of use and fun over ultra-performance.

  4. Accessories matter: a floating grip, good chest/helmet mount, extra battery, strong memory card — all these will improve the experience and results.

  5. Post-production workflow: Don’t forget after the ride: editing, selecting best clips, maybe reframing from 360 footage — factor in time for that if you want to publish good content.

  6. Budget wisely: Don’t overspend for features you aren’t going to use (e.g., 8K/120fps might be overkill for simple social clips), but also don’t under-equip and end up with shaky, unusable footage.

WCJ PICKS 

Top 5 Action Cameras for PWC Use (2025 Edition)

GoPro HERO13 Black: The top-flagship pick. Supports 5.3K/60fps video, new lens mod system, great mount flexibility. For someone serious about PWC race shoots this gives a lot of performance headroom – Our pick for racers.

Pros: High resolution, strong brand ecosystem, very good stabilization, excellent for pro/video work.
Cons: Price is higher; maybe more than you need for casual cruising; large data files and editing burden.

DJI Osmo Action 5 Pro: Premium alternative to GoPro; reviews show excellent battery life and strong low-light performance.

Pros: Top tier image & battery performance; for someone expecting to shoot long sessions or demanding environments.
Cons: Perhaps fewer accessories in the PWC world compared to GoPro’s mount ecosystem (depends on your mounts).

Insta360 X4 8K 360° Action Camera: A creative / 360°-capture option. If you want to shoot and later pick your angle (chase boat, stern, side), this can give unique shots.

Pros: 360° capture gives flexibility; might catch unexpected angles, good for creative event coverage.
Cons: Heavier editing workflow; more demanding in post; maybe overkill if you just want one simple angle.

GoPro HERO12 Black: A strong “value high-end” — many of the top features of the 13 but at better value. Ideal if you want near-top performance without absolute bleeding edge.

Pros: Good compromise; many features you’ll appreciate on the water.
Cons: Slightly less future-proof than the latest flagship; fewer lens mod options.

Insta360 GO 3S: Ultra-compact lightweight option. Great for mounting in places your big camera might be too bulky (helmet lip, behind seat, side-platform). Our pick for recreational riders.

Pros: Small size, less obtrusive, good for creative/secondary angles or cruisers who just want to capture fun.
Cons: Possibly shorter battery, fewer advanced features; may not perform as well under demanding race conditions.

And after you’ve chosen your new camera, be sure to check out our guide on proper placement for the best results.

Jessica Waters
Jessica Waters
Editor – [email protected] Currently the Managing Editor of the Dalton Daily Citizen in Northwest Georgia, Jessica Waters is a photojournalist and reporter who has covered competition stock car racing, downhill skiing, motocross, horse racing and hydroplane races for more than 30 years, and added jet ski races and freestyle competitions in 2010, covering many competitions for local and national media outlets.

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